• supporting creativity in the classroom and beyond •

• supporting creativity in the classroom and beyond •
Showing posts with label line. Show all posts
Showing posts with label line. Show all posts

harvest moon and spooky trees

Sometimes I get inspiration for art lessons from random pictures, and that's how this one happened. One day my Facebook feed presented a photo of a tree silhouetted against a huge moon and this art lesson immediately formed itself in my mind:  tissue paper collage moon + spooky tree. I could see the end result in my brain, and backtracked through that image to develop the lesson for a second grade classroom.

At first, I thought it would be a fine idea to have the students create the circle using a compass, but no compasses were to be found so I opted for a hand-drawn circle, which turned out to be a huge benefit!  The circle was filled with tissue paper collage, and while that dried, we made the trees -- basically a line drawing outlined with another continuous line, cut on the outside line, and flipped over.

My suggestions to the kids:
Don't put the moon in the exact center of the page.
Don't put the tree in the exact center of the moon.

Some of the kids had a little trouble cutting out the tree shape, especially if they had crossed branches, so I helped by showing them how to cut into a closed shape. For a "first time" try, I think these turned out great! I wrote up the lesson and had a few other teachers try it out, and it was a hit with everyone!

It's a great art lesson for teaching how to use space, talking about the use of warm and cool colors, and working with interesting lines. It was fun, easy, a little messy, and generally pretty successful. And it's perfect for October! Just spooky enough to be "Halloween-y" without all the Halloween hype. This lesson, with step-by-step directions, is available in my TeachersPayTeachers store. Look for Harvest Moon Tree Silhouette!


start with art

I don't normally use this blog for direct marketing, but since TeachersPayTeachers is having a site-wide Back to School sale (Aug 4 & 5), and since I have a store there, I thought I'd take the opportunity to blatantly peddle my Start With Art lesson bundle designed for elementary classroom teachers who are not necessarily art teachers.

This collection of five art lessons is a great way to start the school year with lower grade elementary students. It introduces the elements of design -- line, shape, color, pattern & texture, and space -- with open-ended explorations designed to allow students to use a variety of art materials and techniques. And... it gives teachers a great opportunity to observe students motor skills, work habits, creativity, and responsibility!

Start With Art is a big seller in my TpT store, and it's 20% off for two days -- August 4 and 5. With the TpT promotion code (BTS14) you save an additional 10%, for a total savings of 28%!

Check out my store, and while you're there, download my free resource, Making Time For Art. It's filled with ideas and suggestions for incorporating more art lessons into the classroom. Enjoy!



pentangles

Recently I began running into these things called Zentangles every once in a while, which look suspiciously like the doodles in the margins of all my college notebooks. I began to remember how it would be easier for me to concentrate on lectures if, between note-taking, I was doodling. Just a fact of life for the visual among us.....

I started thinking that this would be fun to do as an art lesson with kids. All the Zentangles I saw were simply black on white, with lots of repetitive lines, dots, squiggles, etc, to fill up space in a seemingly random way. Would it be relaxing for kids, or would it be frustrating? How would I present it?

My idea was to introduce it with no talking. I gathered kids together.... this was a second grade.... and put up a sheet of 9x12 white paper on the wall and started with one long, sweeping, curving line. I added more lines next to it, several grouped together, then started off in another direction. I kept "adding to" with groups of dots, or little zig-zags, or whatever. Then I stopped.

"What was I doing?" I asked them, and among their responses, I started writing down some key items.... "drawing lines".... "drawing dots".... "doing the same thing again and again"... etc..... until I had some guidelines on the board next to my demonstration paper. Then I gave them directions:

Start with one long line across the paper. Make sure it goes off the edges. Add five more lines right next to it. Then, either make more of those lines or go in a new direction. Here's the rule:  You need to really, really think about what you are doing and you have to repeat each line, dot, shape, or design at least five times.

Five times.  So now I had another idea:  As students finished, I had them choose one colored pencil to color in five spaces, anywhere on the paper, all with the same color. And I renamed them Pentangles. :-)

Here's the best part:  This class is notoriously chatty. Yak yak yak all day long. During this activity, you could practically hear a pin drop! Usually during art time there is a noticeable amount of chatter, conversation, etc., but this activity just inherently seemed to turn the classroom into a whole group of little mindful people, all concentrating on their own designs.

We mounted the finished product on colored construction paper, and they are awesome!


patterned circles

This first grade observation lesson is almost identical to the Kindergarten "playing with patterns" activity, but in this version, the crayon-drawn patterns are confined inside connected, free-drawn circles. Students use the same rolled-paper viewfinders to observe the details and patterns in a variety of photographs.

Students are first asked to think about what it means to be an artist, and also to name some things that artists do. This is followed by a short discussion about the importance of observing carefully, the making of paper tube viewfinders, and some initial observations of two or three photographs. Students are asked to focus on the details and patterns rather than the contours or subject matter. After these initial observations, students draw one circle about the size of their fist, placing it somewhere away from the center of the paper but not touching an edge. I model this on an actual sheet of paper to show them an approximate size. Circles that are too small will not show the patterns well, and circles that are too big might cause the student to run out of space, so I do like to suggest a size.

The first photograph is held up and students are asked to look carefully at the colors, shapes, spots, lines, and directions, then to fill the first circle with the pattern they see. When most are finished, directions are given to draw another circle, about the same size, touching the first circle. The next pattern is observed, discussed, and drawn in that circle. Subsequent circles are drawn one at a time, making sure each one touches only one previous circle. Students are reminded to completely fill each new circle with patterns they observe in the photographs, and to pay close attention to lines, dots, colors, shapes, and directions.

I especially like that this lesson requires students to really observe what they see, and places more emphasis on the observation than the content. By directing the lesson one circle at a time, I am able to get the students to slow down and pay closer attention to what they are putting on their paper. When they draw a new circle, I remind them that they can attach the new circle anywhere, but they should look to see where the bigger spaces are, and go in that direction. We keep adding new circles until we run out of time, leaving about ten minutes for discussion.

During the sharing/discussion time, I hold photographs next to students' versions of the patterns. I also have students compare and talk about different treatments of the same pattern. Students are able to see that there is more than one way to draw something, that people see things differently, and that close observation is important for an artist. As simple as this lesson is, the results can be very striking and quite varied. While the samples shown here were done with crayon on white construction paper, but I can see them being done on dark construction paper using construction paper crayons or pastels, or even painted or done with markers or colored pencils.
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shape tracing

These Kindergarten shape tracing designs are made by tracing the same shape template several times, overlaying the shape in different directions to create a variety of interior shapes and spaces. Each table group has a variety of sizes of cardboard or plastic squares, rectangles, triangles, and circles to choose from. When giving directions, I emphasize that they should use only one shape to do all their tracings; I demonstrate this for them using a dark colored crayon for the tracing lines. I point out the variety of shapes and spaces created by the overlapping contour lines of the original shapes, and invite them to color in the spaces however they want to. I also demonstrate cutting the entire design around the outside and gluing it onto a background color that is present in the colored areas.

Interestingly, students will tackle this activity in different ways. Some want to trace the shapes next to each other rather than overlapping. Some like to make large spaces while others will make small ones. Some students take the time to select certain colors for the coloring part, or approach the coloring in a methodical way: starting with the smallest spaces, or starting with the ones nearest the center and radiating out, or starting with the outside spaces and working their way to the center. Some students jump all over the place, switching colors with each new space, while other students might use the same color for several spaces before choosing a new color.

Some students need a contour line to help them cut all around the outside of the shapes, while others grasp the concept right away. It helps to ask each student to trace with their finger where they are going to cut. There are always a couple of students, at least, who cut into the design, so it's important to keep a watchful eye and to be available with scotch tape.

When sharing these, I like to show two or three at a time and ask students to compare the colors, or count the triangles, or find other shapes that have been created by overlapping the original shape. This activity takes less than an hour, uses no special materials other than the shapes for tracing, and can be extended in a variety of ways. Students can be given limited colors to use, they can use chalk or watercolors in the spaces instead of coloring them, or they can be asked to make patterns or do rubbings inside the spaces.

line pattern rubbings


First-graders get cutting and patterning practice in this activity, which also has a problem-solving twist. Whether or not students create a pattern, the results are interesting and can create quite a colorful display.

The first step is for students to cut some strips from a piece of black construction paper, about 3x6. They glue the strips onto a white 6x6 piece of construction paper to create a design. Some students like to create a "picture" while others stick to designs or patterns. When the glue has been given a short time to dry, students do rubbings of their design on a 6x18 strip of white drawing paper. When I demonstrate how to do the rubbings, I show them that rotating the collage design for each new rubbing will result in an interesting pattern. Students use their choice of one, two, or three colors. The problem solving piece comes when students need to do a second 6x18 rubbing that exactly matches the first one. For some students, this is not as easy as it would seem. When the rubbings are complete, all three pieces are taped together to make a banner.

During the discussion, we look at the patterns created by the series of rubbings. Students are asked to describe their own patterns, or to name the patterns created by other students. The discussion also includes reference to colors used, especially the results of using heavier or lighter pressure with the crayons.

kindergarten line collages

These are incredibly simple to do and give students an opportunity to practice cutting. The best part is that every single student's work is a success, no matter what. There also isn't a huge amount of preparation, and practically no clean up.

To prepare, I created a line template for students to cut. I wanted them to experience cutting a variety of lines, so on half a sheet of copy paper I drew a couple of straight lines, a meandering line, and a zig-zag line, then duplicate it on the other half of the paper. Then I copy this onto 9x12 construction paper in about ten or so colors and chop those in half.

I start the lesson by talking about lines. I ask students to tell me what they know about lines; I draw samples on the white board. Then I quickly demonstrate the activity. To start, each student chooses one template to cut. I like to make way more than the number of students, and put one of each color on each table. This way every student gets a choice of color, and every student at each table is working with a different color. Once they choose their color I just take away the extras. As they work, I help those students who are still learning to use scissors... and there are many of them. Some don't know where their fingers go. Some try to cut upside down. I show them how to hold the paper vertically, cut going "up" and to turn the paper instead of the scissors.

Students simply cut on the lines and then glue the resulting pieces onto black construction paper. Voila! Finished artwork! But not a finished lesson. We also look at two at a time and compare what different students do with their pieces. Some students like to glue them down in straight rows. Others will overlap them. Some create a border. Others just glue with no plan. Whatever they do, each one is a success, and they are awesome to look at when displayed on the wall.

harold and the purple crayon

Planning hour-long art lessons for Kindergarten students can be tricky, because it's difficult to imagine what activities they will do quickly and what kinds of activities will take them a longer time to complete. So, I try to have an additional, simple activity to extend the time for those students who finish faster than I would have expected. I could have them just read books or draw pictures, but I like it better if they can do a second activity that matches the lesson.

Thus, the birth of the purple pictures. First, I read the book "Harold and the Purple Crayon" by Crockett Johnson, having students notice what Harold does with his purple crayon. I explained that they'd do a line collage first, and then if they had time, they could draw some of their own purple pictures. Some students really got into it, while others simply filled the paper with scribbles and lines. Later, I had some of the students tell about what they had drawn. I pointed out details in their drawings that added interest, such as stars in the sky, or facial expressions. This turned out to be a perfect addition to the line collages they did the same day.

not quite mondrians

I wanted my second grade students to play around with lines. Even though I had some ideas, I explored some art lesson websites and came across an activity that looked colorful and easy to do. I decided to try it after altering it a bit. The originals had all the spaces filled with vibrant colors, which was very dramatic, but I am working with a schedule in which I need to make sure that all students can finish in an hour, and I didn't think they could get the whole paper colored in during such a short time and I wanted them to be able to work carefully and mindfully. So I simplified. Simplifying is always good in the art world. Of course, that's my opinion, since I am a kind of minimalist.

For this activity, all students needed to do was use a ruler to divide the paper into sections (easier said than done), then fill each section with lines, using bold colors (also easier said than done), and finally cut black construction paper lines to glue over the pencil lines.


Before starting, I had the students tell me what they knew about lines, and I drew different kinds of lines on the white board to show different ways to fill the spaces. I thought these were going to be a real piece of cake, but some students had a bit of trouble only making five pencil lines to start with. If they hadn't gone too overboard, we just left it. If they had a dozen lines, they got a new piece of paper and some clearer directions. In the long run, it wouldn't have made any difference, but I knew that the line cutting at the end was going to take a bit of time and the thought of somebody needing to cut about sixteen lines when everyone else only needed five was a concern. So, they got a new paper and were asked to make less lines. This was only an issue because they only have one hour with me. If I were in a self-contained classroom, I would just let it be and give them extra time to finish up. Without the luxury of time, there are some adjustments that need to be made.

As they started filling the spaces with colorful lines, I encouraged them to use dark lines, bright colors, and to work on and finish one space before going on to another. It was interesting to see so many students using the crayons with such a light touch. Occasionally, I held up a student's work to show an example of bright, bold colors with lines clearly drawn. When there were twenty minutes left in their hour, I had them finish up wherever they were and cut and glue their lines.

Some students had a very hard time getting out of the "straight line" box, but a few managed some diagonals, and these were especially interesting. If I do these again, I will make sure that students know they will only have time to fill in a few spaces and encourage them to fill spaces that are not adjacent. During discussion, students found line treatments that they liked in other students' work, and were encouraged to use appropriate art vocabulary to identify and discuss the works of others. Overall, these were quick and very successful!

bubble people


I have a pet peeve: stick people. So I thought... well... might as well start at the beginning. I came across a people drawing lesson in "Talking, Drawing,Writing" by Martha Horn and Mary Ellen Giacobbe, a book about art and writing that starts with using ovals for every body part. My first idea was to do this lesson with all the students and then have the Kindergartners draw clothes on them, the first graders fill the ovals with patterns, and the second graders do elaborate warm/cool compositions by filling the people ovals with warm or cool parallel lines and then doing a background in the opposite color. Heh. I was a little overambitious on the second grade idea. We were lucky to get the person filled with lines, although a few students did manage to go on to a second bubble person, as they came to be known.

This lesson, for all three grade levels, started with a "loosening up" exercise with a large sheet of white paper on which they practiced drawing dots, circles, ovals of different sizes and shapes, and assorted lines. Then Kindergartners had a read aloud - "From Head to Toe" by Eric Carle (which included much wiggling, clapping, stomping, and kicking) - and everyone learned how to use ovals of different sizes, shapes, and lengths for all the main body parts. Kindergartners were asked to color their bubble people any way they wanted, and as they finished, to draw more on their practice paper. First graders filled theirs with dots and lines, using two primary colors, and those who had time were able to mount them on the third primary color. One creative first grader decided to mount his standing on one hand, and was careful to remind me that it goes "this way." :-) Second graders drew a contour line around their bubble person to define the shape. They then filled the complete shape with warm or cool colored parallel lines. If they finished one, they were asked to draw another on the same paper and to fill it with lines using the same colors.

Everyone did a great job! During sharing we looked at how different they all were, and students were able to talk about what was hard to do, what they liked about their bubble people.

Now... if it will just stick, there will be less stick people in the world! :-)
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