chagall-inspired drawings

Here is a fun and easy drawing activity that requires practically no prep and which encourages students to get outside the box and unleash some fanciful creativity. The drawing part is done with a Sharpie or a black crayon on white drawing or construction paper.

I usually do this lesson with third or fourth grade students, and occasionally with second grade. It begins with a "looking at art" discussion of work by Marc Chagall. I always use I and the Village and another painting for this part. I have students tell me what they notice; I chart the responses that are "objective" ("I see the Eiffel Tower") and talk about the responses that are "subjective" ("It's weird.") I also ask for words that describe Chagall's work, and here again there is the objective vs. subjective issue. "Fanciful" works, while "weird" does not. "Creative" works while "pretty" does not. At some point, I introduce the words surreal and surrealist with a rudimentary definition: not realistic, but with real things.


The "art-making" part requires some listening, as students draw what they are asked to draw, one item at a time, while also occasionally reorienting their paper. For example, I usually start with directions to draw the profile of a face at the edge of the paper. I reference the green face in Chagall's I and the Village so they know what a profile is. When that's done, I ask them to turn their paper in a different direction and draw any kind of animal, but make part of the animal go "off the paper"... and again, I reference "I and the Village" and show how the horse's head is the only part of the horse that shows.

I continue to give directions for drawing, one item at a time, always turning the paper after each drawing. They are asked to draw things like a person, another person a different size, three buildings, some trees, a house, a road, mountains, a bird, another animal inside one of the drawings, a shape (circle, triangle, etc) "behind" the other drawings, etc. I generally make this up as I go along, using Chagall's work as my own reference for ideas. As I observe their drawing process, I will make suggestions to overlap drawings, watch how they use their space, to draw in the largest empty area, etc., to help them learn to use positive and negative space.

When the drawings are complex and dense, I stop (there will always be a few students whose drawings are very small no matter what I say, so their papers will have a lot of white space. Oh well) and ask them to color in most of the picture however they want, and to leave some parts white. I suggest that they do some shading, and insist that they use bright colors. Over time, I have learned to ban black, brown, and gray for this assignment. Just because. I do have them look at the colors that Chagall used, and see how bright they are.

When their compositions are complete, they are mounted on black construction paper and students write about their work using the title "My Surreal Art" .... because thinking about their own art work is just as important as talking about someone else's!

This Marc Chagall lesson is one of three art lessons included in Abstract Art For Kids, available for purchase at my TeacherPayTeachers store. The lesson bundle also includes a math-connected drawing activity inspired by Wasily Kandinsky, and a collage activity inspired by Henri Matisse.

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shape people

These crazy-colored shape people are done by first grade students. They are an outgrowth of the bubble people I do with Kindergarten students. The goal is simply to move children away from drawing stick people and toward drawing people with whole bodies.

I introduce the lesson by having students name the shape of the head (oval, not circle), and talking about the elbow and knee as joints that join the upper and lower parts of arms and legs. We move our arms and legs in different poses. I then demonstrate the light drawing of a bubble person on a chart paper, using a pencil. I show how to outline the outside of the entire body shape with a marker, as this is a tricky thing for some students.

Students draw bubble people in pencil, one bubble at a time: head, neck, body, two-part arms, and two-part legs. I talk them through the body parts so that they don't leave anything out. Then they outline with marker around the outside of the "bubbles" to create a stylized person shape. They erase the pencil lines and "crazy-color" the resulting shape. If there's still time, they do a second one, either smaller or larger than the first. For this activity, we skip doing faces or other additions to the people shapes, and concentrate on bright colors and/or patterns. Some children have a hard time outlining the entire outside of the shape and outline each bubble instead, or cross through joints. I try to stay close and help them with their second drawing.

Other lessons in this activity are how to use and care for the markers (cap on the end while drawing, cap snapped shut when finished to preserve ink), how to use your empty hand to hold the paper still while outlining, and how to erase (just the line, not all over the paper), When there is fifteen minutes left (classes are one hour), I tell students that whatever they are doing right now, it is the last thing they will do: If drawing bubbles, they will outline and erase and stop. If they are outlining, they will finish and stop. If they are coloring, they will finish and stop. Some student work, then will have one or two "colored-in" shape people and one "blank" one. After putting away materials, students walk around the room looking at everyone's work. I ask them to look for something that is completely different from everyone else's. After they've seen everyone's work, they share what they've noticed.

Sometimes I display these in a long line across the top of the white board or over a window. Looks great!