• supporting creativity in the classroom and beyond •

• supporting creativity in the classroom and beyond •
Showing posts with label Kindergarten. Show all posts
Showing posts with label Kindergarten. Show all posts

art goes back to school



In the back-to-school preparation frenzy, art education is the last thing on many, if not most, teachers' minds. And yet, what could be more fun... and even relaxing... than a little art during the first week of school? Best of all, teachers can find out a lot about students' fine motor and other skills, as well as their work habits and level of responsibility and concentration. 
One of my favorite things to do as an art teacher was to start the year with a little multimedia exploration. I set it up like Kindergarten stations, with four different media on four different tables for 1st and 2nd graders, and 3 different media on 3 tables for Kindergarten. Students started in one place and took their papers with them to the next station and added to their design. Kindergarten students used the same paper for the whole exploration, while 1st and ends used two sheets of paper, mixing two media on each paper.
First and Second stations included all of these, and Kindergarten stations were the same, minus the paint:
• tempera paint with brushes and straws for blowing
• crayons
• colored pencils with shapes to trace
• construction paper, scissors, and glue
It took a little extra thinking to decide in which order to arrange the stations for rotation, because each group of students started with a different media, and I wondered how feasible it was going to be for those who started at the paint table. In the end, I decided to just not worry about it and see what happened. Before starting the activity, I quickly introduced the materials at each station and explained the procedure, including making a point of explaining to students that they would keep the same paper when they moved to a new station. Other than that, I didn't really give any earth-shattering directions, because I really did want this to be an exploration.
An interesting side benefit of this activity on our first meeting day was that it gave me an instant overview evaluation of important skills: use of scissors, glue, and brushes; painting technique development; pencil and crayon grip; and fine motor and eye-hand coordination skills. It even revealed what kind of sense students had in putting together a composition, including whether or not they thought about what they were doing. It was especially interesting to see some students just start cutting shapes and gluing them on the paper at random, while others would spend time arranging their shapes just so while gluing, or giving slow, thoughtful attention to how and where they applied paint to paper, or how they lined up shapes for tracing.

Some students were obviously organized and/or methodical, and some students were obviously less so:

For those teachers and administrators who think art is just an extra for random Friday afternoons before vacations, I propose that there is much to be learned, by students and teachers, when children make art. Teachers can learn much about individual students' fine-motor skills, spatial sense, responsibility, and more, and students can learn how to develop concentration, practice motor skills, and more.... not the least being able to express themselves and create a little beauty for this world.

So.... how about starting the school year with a little mixed-media exploration? My store at TeachersPayTeachers has lots of art lessons for teachers who don't have art background. This mixed media exploration is included in the bundle Start With Art, and you'll find a couple of free art lessons, too! Check it out!
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learning to cut

Third day of school.
Kindergarten.
Choose a color.
Cut into strips.
Glue onto black paper.

I can't begin to count the number of second and third grade students I've seen in the past few years who could not efficiently use a pair of scissors. So when working as a support helper for the first three days of school in Kindergarten, I manned a center where the kids only needed to cut. Not on lines, not on shapes, just cut.  I showed them how to use the scissors -- thumb in the small hole, fingers in the big hole -- and how to hold the paper -- vertically, with the scissors pointing to the sky -- and asked them to cut their paper into strips.

Each student was able to choose a color, and in a group of six, everyone had a different color (there were about nine bright colors to choose from) so nobody's strips got mixed up on the table. Everyone also got a sheet of black paper to glue their strips on, and to make things easy, I brushed watered-down white glue all over the black paper and they just needed to lay their cuttings down onto the wet glue. This job was all about cutting and nothing else.

I always encourage / teach kids to hold their paper vertically, cut pointing to the sky, and to turn the paper instead of the scissors. This helps them be able to see exactly what they are cutting, because the paper and scissors are at eye level. This is particularly important if they are cutting on a line, or cutting out a shape, but for this activity, there were no lines to follow at all, so each child was able to just cut their strips the best they could. I gave no directions on how to glue them on the paper, and it was interesting to see how the children had different methods for gluing, some being very meticulous and orderly, others gluing the strips in a more haphazard manner.

When they were all finished, we had a beautiful assortment of line art, all ready to go on the wall. Even though each child had the same directions, no two of these were alike. I think they made a perfect first art activity!




kindergarten line collages

Take a classroom of kindergartners, hand them some scissors and construction paper, and then some glue sticks. Show them how to cut strips. Pile all the strips in the middle of the table, and set them free. That's what I did in a kindergarten class last week at a school where I used to run an art program. The teacher told me, while reviewing the day, that if I wanted to do "an art thing" to feel free. So, with her permission I set aside what she had planned for my center and instead I had the students just cut strips from many different colors of construction paper.

 It's always interesting to watch kindergartners using scissors. In fact, it takes more than watching. Sometimes I have to rearrange the scissors in their hands so that the right fingers are in the right holes. And I like to teach kids to hold the paper upright and cut with the scissors pointing to the ceiling. I tell them this is how artists do it. Well, it's how I do it, and I'm an artist, so I guess that's ok.

After the cutting station and a recess break, everyone got a sheet of black construction paper and a glue stick. My directions to them were to use the strips to make a picture or a design, and to be creative. I showed them how to use a piece of scratch paper on which to lay the strips when applying the glue so the tables wouldn't get all sticky. Some worked in complete concentration, meticulously arranging the strips to create houses or other "name-able" objects. Others glued the lines/strips in random order, while still others clearly had something in mind, even if the result was clearly non-representational... at least to the casual observer.

 For sharing, each finished composition was held up for admiring. I had the students tell what they could see, or what it looked like. It was fun and interesting to hear how they interpreted each others' art work. This was SO easy and the kids got a whole lot of practice cutting and gluing, like Kindergartners should!
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what if?

What if I just put out a bunch of art materials and don't do a lesson? What if I ask students to think about other art they've done? What if I tell them to do something similar to something they've already done, but to change it somehow or, if they want, to just explore?

One student might draw herself in a garden, surrounded by a rainbow, under a rainy-sunny-starry sky:



Another student might explore lines with watercolor and crayon:



Somebody might do a bird collage:



Somebody else might do a three-dimensional line collage:



Somebody might do a shape rubbing:



Somebody else might draw or trace a series of rectangles and fill them with colorful patterns:



And somebody else might make a collage of the sun:

elmer

Who doesn't love Elmer?

After a lesson on looking carefully at patterns which included drawing random patterns all over a large sheet of drawing paper, My Kindergarten students did an Elmer drawing. First I read the story and then I went through the book again with a picture walk. We talked about the patterns in Elmer's friends, and also discussed the interesting scenery in the story. This was followed by a kind of "direct drawing" activity, in which I had students follow along with my directions:

- Draw a large oval for the body.
- Add a circle for the head.
- Put on a trunk. See how it looks like a J?
- We'll need some legs. How many? What shape? How big?
- Let's add an ear and an eye and a mouth.

This drawing was done with pencil. After the drawing was complete, students were asked to trace over their lines with a dark colored marker or crayon, and then to fill Elmer's friend with a colorful pattern. Some students had time to add trees or other fanciful backgrounds.

For display, I lined them up above the white board.



The students loved this activity, and even though it was a direct draw, every drawing had its own personality. Students had to think about and draw shapes, and also to work with patterns, all of which is in both their Art and Math standards. Two birds with one stone!

harold and the purple crayon, revisited

Last year, I had my Kindergarten students draw "purple pictures" after reading aloud Harold and the Purple Crayon. It was fun, but this year I decided to focus more on imagination and have the students do purple collages. I started by asking students if anyone knew what it meant to use your imagination. A few students had ideas like having an imaginary friend, or pretending. I then asked a second question: If I asked you to use your imagination, what part of your body would you use? Most students pointed to their heads, which told me that they knew what it meant to use their imaginations although most were unable to articulate what it meant. So far so good. After this little introduction, I read the story aloud, letting the students make comments about Harold's use of his imagination on his little purple excursion.

After the story, I explained to students that they were going to use their imaginations to create purple collages. I demonstrated cutting long strips from a 6x9 piece of purple construction paper, which I placed onto a piece of drawing paper taped to the white board. (The students were intrigued by the fact that my pieces of paper were sticking to this paper, so I explained that I had made it sticky with some spray glue.) I showed students that there were cardboard squares, rectangles, triangles, and circles out on the tables, and modeled tracing a circle on the corner of the purple paper. I put all the cut pieces on the sticky paper and proceeded to move them around, letting students comment on what they thought my pictures looked like.

Students were able to choose either regular purple or magenta for their collages, and white or black paper for the background. I asked them to cut some long skinny purple lines first, then to trace and cut some purple shapes. I encouraged them to place all their pieces on the background and move them around to see what they could make before doing any gluing. As students finished their collages, I had them get white drawing paper and a purple crayon and asked them to draw the pictures they had just made.



For discussion and sharing, I held up the collages one at a time and had each student tell, in a complete sentence, what he or she had made. This gave me the opportunity to introduce the word "design" for those who had not attempted to create a picture of an object. Some students had very simple responses, like "I made a house," or "I made a bird," while others included many details in their sentences: "I made a person in a sleeping bag, camping." Whether their collages showed objects they could name or designs with no subject matter, I congratulated them for using their imaginations... just like Harold.
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fall leaf tissue paper collage

This Kindergarten lesson can be adapted to any time of year, any season, any subject matter. Last year, I had my students do a tissue paper collage in the shape of a heart during February. The real purpose of the lesson, rather than the finished product, is to help students learn to use a paintbrush. I teach them to hold it vertically like a pencil, use just a little glue-water, and to brush in one direction.

I start the lesson with a little song that I learned from a colleague when I was teaching Kindergarten:

Fall is here! Fall is here!
How do you think I know?
The leaves are turning
..... orange and brown....
.... yellow and red....
And so it must be so!

I have the words written out on a chart with the color words written in those colors and everything else written in dark green. It is posted on the wall surrounded by several pictures of fall leaves and trees. We talk about how we know it is fall, and look carefully at the colors of the leaves.

I use a variety of pre-printed leaf shapes so that no two leaves will be alike at any one work table. I create these on the copy machine on white construction paper. In the future, I might try these on light green, light blue, and yellow.

I use regular white glue, watered down to about a 50/50 proportion. The tissue paper I have is the "bleeding" kind so it can get pretty messy, but most students do understand not to paint glue all over the shape, just in the space they want to lay the small piece of tissue. I demonstrate for the students how to hold the brush, how much glue to use, how to tear the tissue paper, and how to paint over the color to make it stick to the paper, then I send them off to the tables to choose a leaf they like and to get started. As they work, I work with individual students who need help holding the brush, calculating how much glue to use, and/or how to tear the paper into smaller pieces.

When everyone is finished, we take some time to share all the work so that all students can see what everyone else did. I don't have space to hang them all so I choose a few that are different colors and shapes to hang on the wall along with the song chart.

first day exploration

A new school year has finally started for me, and I've completed my first round of Art lessons (at three different schools) for Kindergarten, First, and Second graders. To start the year, I decided to do rotations at which students could just explore different common media and art tools. The lesson part varied, obviously, according to grade level, with very explicit directions about scissors and glue sticks for the Kindergartners, simple reminders for the same tools for first graders, and a demonstration on how to use watercolors for second graders. I also used read alouds for all three grade levels, to spark discussion about certain elements of design and ways of thinking.

Kindergarten students did two rotations using one sheet of 12x18 drawing paper:

-- construction paper cutting and gluing
-- stencil shape tracing with crayons

I started by reading The Big Orange Splot by Daniel Manus Pinkwater. We talked about the concepts of same and different, and I asked them to make sure that their art work was not the same as anyone else at their table. We gathered into a circle to practice holding scissors and opening and closing glue sticks, then they then chose a table to start at. Students had about ten minutes at the first table, then they took their papers to the other table to add to their art work.

First grade students had three rotations using one sheet of 9x12 construction paper:

-- crayon drawing
-- construction paper collage
-- eyedropper painting

I started this group by reading The Dot by Peter H. Reynolds. After the story, I demonstrated how to create large and small dots by using circular strokes. I showed them how to use the eyedropper to make small dots of paint and how to blow on the paint drips to make interesting shapes and lines. I also reviewed the use of construction paper scraps, asking them to cut new shapes rather than just use whatever they found in the basket. I asked them to make at least some dots at each rotation. Students had about seven minutes at each table.

Second grade students had four rotations using two sheets of 9x12 construction paper:

-- crayon drawing
-- construction paper collage
-- stencil tracing with colored pencils
-- watercolor painting

I started by reading Ish, by Peter H. Reynolds, and we talked about how it isn't important to draw things perfectly, and that we should think -ishly. After a quick reminder of how to use small dots of white glue and how to distinguish between "trash" and "usable scraps" they chose a table at which to start. Each rotation only lasted about five minutes and students got a second sheet of paper after the first two rotations, so each art work was composed of two different media/techniques. Depending on where they started, their papers had watercolor plus collage, collage plus stencils, stencils plus coloring, or crayon plus watercolor.


With all three grade levels, I purposely gave no suggestions about content; instead, I focused on proper and careful use of the tools. At the end of each lesson I gave students a little time to walk around and look at everyone else's creations, emphasizing that the number one big rule in art class is to not touch anyone else's work without their permission.

And of course, several pieces went immediately up on the wall for display. Since I have almost 200 students at each school, I can't display everything, so I explain to the students that I just choose a few from each class that are different from each other, to remind us about the lesson.

kindergarten face collages

Kindergartners can never have enough cutting practice. This activity gives them lots of that, and more, plus it is a great way to use up some construction paper scraps. For these face collages, I purposely took all the pink construction paper out of my scrap bin, because I wanted students to use wild colors that have nothing to do with real faces. I'm sure the one little girl who asked for pink thought I was just being ornery when I told her we weren't using any pink this time. All we needed was an assortment of colors of 9x12 construction paper for the background, 6x9 pieces for the faces, and a lot of construction paper scraps. I did provide tagboard ovals for students to trace for the head shape, but other than that they were on their own.

I gave students simple directions, emphasizing that they needed to choose two different colors for the face and background. I spread the construction paper scraps across the floor and invited them to take any colors they needed.

As students finished tracing their head shapes, I took pencils away so that they would have to "free cut" the shapes for their faces without drawing them first. Most students got right into it and started immediately cutting shapes. For those who insisted that they didn't know how to cut something, I had them look at my face while I traced the contour of the part they were trying to make and then asked them what shape they might use and to give it a try. If they were still hesitant, I would model cutting a shape for them, and then have them cut their own. For the most part, students were happy to have unorthodox shapes for their facial features.

As students finished their faces, we lined them up on the white board tray and I had them look at their own work and then look to see if they could see anyone else's that had something the same as theirs. Then we compared two at a time, looking for similarities. Most students found same colors or shapes, but an occasional student notice that "they both have wiggly hair" or another quality that was more sophisticated than color or shape.

stamp, stamp, stamp

There's nothing new or particularly innovative about using found objects dipped in paint to stamp designs on paper. The trick is in getting students to actually think about what they are doing rather than just stamping paint willy-nilly all over the paper. I'd like to think I'm successful in leading them toward more planning and less chaos, but that would be a lie. All I can do is gather up objects with different shapes, model the procedure, and let them have a go at it. The objects I used for stamping in this activity were cut up sponges, pieces of corrugated cardboard, several wine bottle corks, clothespins, and some assorted bottle and other tops, including several tops to glue sticks that I had saved when we trashed the used up glue sticks themselves.

My Kindergarten students did enjoy this, and some of them got very into it, to the extent that I had to be right there with a wet cloth to wipe hands before the table, their faces, and their neighbor's clothes were paint-spotted. Amazingly, the faucet in my art room doesn't work.... well, it works but it makes a huge grinding noise that sounds like the pipes are going to explode... so I have to be innovative in the hand-washing department. But I digress....

What I tried to do with the stamping activity was encourage students to create patterns. At three of each tables, there were different combinations of two primary colors, and students used white paper at first, but then I got the idea to have the paper be the third primary color (red & yellow paint on blue paper, etc.). Some students really did work on patterns of some type, others worked on stamping out shapes of actual objects (cars, boats, houses, etc.), but for the most part, students basically explored stamping with different objects without really worrying about trying to create some kind of identifiable design. And that's ok...... it just tells me that they need to do more of it, not less. :-)

green paper sculptures

My Kindergarten students had great fun making simple construction paper sculptures. In honor of March and St. Patrick's Day in the near future, I decided to have them use only green paper for these. Prep was easy; I simply cut tons of paper strips from the 9" end of 9x12 construction paper, roughly an inch wide, but truthfully I didn't measure and didn't worry about the width, so there was a lot of variation. I also provided a few 4x4 inch squares on each table for kids to make cylinders or to cut out shapes to use along with spirals, accordion folds, circles, etc. A few students made "paper chain" loops that hung loose, and two little girls attached several strips end to end, creating long, long tails.

My favorite moment was when a student found a little "googly eye" on the floor, apparently left from a project from the previous day's after school program. He squealed ecstatically that he had "found an eye!" and glued it on the top of a loop of paper. He then looked around on the floor and found a tiny piece of green yarn, maybe about a half inch long, which he glued next to the eye and announced that "now I have a mouth!" Later, when we decided to name the sculptures, he decided that his would be named "Mr. Sculpture!"

It was very interesting to watch different students' approach to this activity. One student kept walking over to a table off to the side, on which were sitting a couple of unfinished models that I had used to show different ways to fold and curl the paper strips, and to remind students how much glue to use. He would stand there with his head on his crossed arms, gazing at them for a minute or two, then come over to ask me to show him again how to do a certain thing. In the end, it was lots of fun, there was lots of success, and most students managed not to use way too much glue!

shape tracing

These Kindergarten shape tracing designs are made by tracing the same shape template several times, overlaying the shape in different directions to create a variety of interior shapes and spaces. Each table group has a variety of sizes of cardboard or plastic squares, rectangles, triangles, and circles to choose from. When giving directions, I emphasize that they should use only one shape to do all their tracings; I demonstrate this for them using a dark colored crayon for the tracing lines. I point out the variety of shapes and spaces created by the overlapping contour lines of the original shapes, and invite them to color in the spaces however they want to. I also demonstrate cutting the entire design around the outside and gluing it onto a background color that is present in the colored areas.

Interestingly, students will tackle this activity in different ways. Some want to trace the shapes next to each other rather than overlapping. Some like to make large spaces while others will make small ones. Some students take the time to select certain colors for the coloring part, or approach the coloring in a methodical way: starting with the smallest spaces, or starting with the ones nearest the center and radiating out, or starting with the outside spaces and working their way to the center. Some students jump all over the place, switching colors with each new space, while other students might use the same color for several spaces before choosing a new color.

Some students need a contour line to help them cut all around the outside of the shapes, while others grasp the concept right away. It helps to ask each student to trace with their finger where they are going to cut. There are always a couple of students, at least, who cut into the design, so it's important to keep a watchful eye and to be available with scotch tape.

When sharing these, I like to show two or three at a time and ask students to compare the colors, or count the triangles, or find other shapes that have been created by overlapping the original shape. This activity takes less than an hour, uses no special materials other than the shapes for tracing, and can be extended in a variety of ways. Students can be given limited colors to use, they can use chalk or watercolors in the spaces instead of coloring them, or they can be asked to make patterns or do rubbings inside the spaces.